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♪♪

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♪♪

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♪♪

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- Hi, and welcome to Art Zone.

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I'm Nancy Guppy, and this
week we are coming to you

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from Populous Seattle,
which is a hotel

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in Seattle's Pioneer
Square neighborhood.

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Now, you may be
saying to yourself,

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why are they
shooting at a hotel?

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Well, the short answer
is art with a capital A.

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We'll have more on
that in just a moment.

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First, though, here's
what's coming up.

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♪♪

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-Exciting things were happening.

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We were having success.

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-DJ Kevin Cole hits
the big screen.

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-At the same time, I was
just destroying myself.

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-Jeff Kleinsmith gets a much
deserved retrospective.

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-I was kind of a junior designer
for the first two years, and

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I became the art director.

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And so I was art
director for a year.

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My dream.

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-This is called “Dirty Shame.”

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-And The Cowboys reunite at
Tacoma's Spanish Ballroom.

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♪♪

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All right, the reason we
are at Populous Seattle

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is that this place is
chock full of beautiful

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large-scale paintings by
mostly local artists.

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It's a cool program
the hotel has set up,

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very beneficial to artists,
And here to talk about how it

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came about is the curator of
the collection, Dominic Nieri.

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♪♪

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-Today we're at Populous Seattle
here in Pioneer Square.

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The building is a 1905 historic
warehouse that has been

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adapted to a 120-room hotel.

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It also is serving as a gallery
and so immediately as you enter

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the hotel you're greeted
with these five large

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canvases above you.

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♪♪

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You'll ascend the stairs and
the restaurant has pieces, the

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cafe has pieces, the
hallways have pieces.

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Each elevator landing
on every floor

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has pieces.

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The rooms, they
all have artwork.

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♪♪

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The artwork at the hotel
is all for sale and so

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if you find something that
you appreciate or you

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love you can take it
home and what that does

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is not only support the
artist that made it but it

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creates a future opportunity
for another artist.

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The environment that we've

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created here with the artwork
is intentional to honor

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the history of the neighborhood
and the artists that have been

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a part of this for
a very long time.

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All of the artwork in the
hotel was created next door.

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We would bring in
artists in groups

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of like 10 to 15 over a period
of three months and set them up

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studio space we handmade
all the canvases for the

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project and so the artists
would really come in

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you know and develop
their painting.

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I’m particularly interested
in artists who haven't

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arrived at like an answer,
so I’m always interested

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in art that is still asking
questions itself and

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so the artist process is
in development you know

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they're working through
the ideas and techniques

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and process that isn't
a definitive statement,

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but it's a point on their
timeline of discovery.

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And so a lot of it, you
know, is expressive.

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A lot of it you'll see
is either abstracted

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or altered in a way that it's
not a realist picture of,

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you know, a mountain.

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It's this energy in
exchange of concepts.

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There is over 40 artists that
are represented in this initial

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collection, which has translated
to over 50 original pieces.

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And then there's, I think, over
200 limited edition prints

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that were created out of
a small collection of

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originals for the rooms.

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♪♪

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Opening a hotel was very
interesting, but now that

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it's alive and guests are
really the people who

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bring life to the space.

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So if you haven't been, I really
encourage you to come down

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and experience it for yourself.

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♪♪

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-The Populous Seattle lobby,
restaurant and bar are

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open to the public daily
and self-guided art tours

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are available on request.

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For more information,
including hours and location,

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go to PopulousSeattle.com.

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♪♪

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Up next is the exceptionally
talented artist and graphic

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designer, Jeff Kleinsmith.

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♪♪

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-I'm never happier than when
I'm working on something

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that is related to music.

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I do plenty of design work
outside of music, and I'm not

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sure if that has to do
with my childhood or what.

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I just have a strong
relationship to music.

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♪♪

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I'm a local graphic designer.

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I've worked at The Rocket, and
I've worked at Sub Pop Records.

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My role at Sub Pop Records
is VP of creative.

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I work on album covers,
I work on advertising.

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My technique, it's a mix
of digital and analog.

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So I will cut up things, I
will draw out type and images

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and then scan it in and then
mess with it in the computer.

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Kind of a messy collage style.

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I don't really know
exactly what I'm gonna do

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until I kind of get into it.

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And so the process itself
kind of helps dictate

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where I'm going.

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I have kind of a sketch in
my head, but that process

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of collaging, the happy
accidents along the way, are,

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I would consider, my style.

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Each row is separate from
this, so you don't need to

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line that up with that at all.

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Do this Sonic Guild poster next.

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Maybe a little closer,
but yeah, there you go.

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Perfect. I tend to
be more inspired

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by what's around me.

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There was a period of time when
I was first making posters

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that anything that I sort
of saw on the ground,

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I'd pick up.

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Xerox, really big.

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A Band-Aid was really
compelling to me.

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It was a bloody Band-Aid
that I turned into

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an Afghan Whigs poster.

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So for me, almost
anything is inspiring.

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I did art my whole life,
ever since I was little.

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I was grounded a lot as a
child, so I spent a lot

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of time in my room.

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So I did a lot of art.

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I made my own album covers,
I made my own T-shirts,

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I made my own cassette tapes.

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I started designing
posters in 1986

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for my first band,
The Funeral Party.

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♪♪

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About halfway through college,
probably my junior year,

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I took a graphic arts
class, and it was in that

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class that I realized that
everything was designed,

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and I had this epiphany.

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And so everything after
that was all art classes,

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And that's kind of how
I finished out college.

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♪♪

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I worked at The Rocket
from 1990 to 1994.

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The Rocket was a local
music publication.

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So I was kind of
a junior designer

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for the first two years, and
I became the art director.

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And so I was art
director for a year.

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My dream.

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It was my dream, you know?

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Like that's what I dreamed
of doing in college.

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And here I was, I
had to pinch myself.

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♪♪

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We're at the Sub Pop
waterfront space

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that we are currently
trying to open right now.

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I'm orchestrating the
hanging of some artwork

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that we had from
our headquarters.

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I did this one when
Mudhoney played on top

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of the Space Needle.

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In 1994, the owners at
Sub Pop reached out to me

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because they wanted to
start an art department,

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and they asked me to
be the art director.

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So on a daily basis,
I work on records.

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So I spend most of my
time working on album

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covers, talking to bands.

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Working with bands
is some of the most

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gratifying work that I do.

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They are incredibly
creative people themselves,

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and so I often take a back
seat to some of the work

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that comes in from them.

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And it's a real joy to
have their artwork come in

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and get to work on it and
get to work on it with them.

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I love to collaborate, and
so it's a great process.

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Pigeonhead, Mudhoney,
Postal Service,

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Nirvana, Beach House.

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I mean, I could name a million.

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♪ ♪

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I've got an upcoming
exhibit at Sparklebarn.

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It's a gallery in Ballard.

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There's gonna be a
lot of new posters

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that I've done in
the last few years.

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For the most part, it's just
gonna be a retrospective

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of everything that I've
done since I started

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doing graphic design.

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Come by and see some things
you've seen a million times.

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You know?

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I'll have film posters,
I'll have rock posters,

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I'll have album covers,
I'll have CD covers,

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I'll have ephemera.

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You would be amenable to that?

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Just junk I had in my storage
unit and threw it out.

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When people see my work,
I want them to experience

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somebody who's experimenting
with graphic design

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in a way that maybe some
other people aren't.

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I want them to feel inspired,
but mostly I just want people

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to have a really good time.

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♪♪

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The best advice for
young people is

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just go do what you wanna do.

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Like that's what I did, is I
just started making posters.

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Just stick with it, do the
thing that you wanna do,

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And it will happen.

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♪♪

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♪♪

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-Jeff's current exhibit,
"Tragedy, Ecstasy and So On:

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Art, Albums and Ephemera,"
will be up at Sparklebarn

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in Ballard through
most of the summer.

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Hours and location are
at sparklebarn.com.

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♪♪

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-I have no idea what I'm
going to play next.

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I'm trying to create
mixes on the fly.

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I'm trying to make sense
of what I'm doing.

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I'm trying to feel the energy.

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00:11:03,663 --> 00:11:05,831
I'm trying to
channel the energy.

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00:11:05,831 --> 00:11:09,585
-”Radio Heart: The Drive and Times
of DJ Kevin Cole” is a dynamite

217
00:11:09,585 --> 00:11:12,838
new documentary that tells
a professional and

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00:11:12,838 --> 00:11:15,966
personal story of this
much beloved KEXP DJ.

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The film had its
premiere at this

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year's Seattle International
Film Festival to sold

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out screenings and rave reviews.

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00:11:23,557 --> 00:11:24,809
Here's the trailer.

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-Kevin Cole with you on
the afternoon show.

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♪♪

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-You've got the best
mix of people.

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I mean, it is the top nightclub.

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-Kevin would play a record and
he'd kind of look over at me.

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Is this cool?

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You like this one?

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-You're playing songs that
people can't even dance to.

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-This guy's pretty cool.

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-Kevin did what he wanted.

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♪♪

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-Revolution Radio!

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-We were basically silenced
by our competition.

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Did you know KEXP?

237
00:11:51,127 --> 00:11:52,420
Do you listen to KEXP?

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-We needed a champion.

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-He opened up the music
community so that it could

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truly be a global experience.

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-I went to my paper
calendar and I wrote,

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00:12:02,138 --> 00:12:04,265
call Kevin Cole and
find out if he's happy.

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00:12:04,432 --> 00:12:06,016
♪♪

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00:12:06,600 --> 00:12:07,977
-Exciting things were happening.

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00:12:07,977 --> 00:12:09,979
We were having success.

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00:12:09,979 --> 00:12:13,774
At the same time, I was
just destroying myself.

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00:12:13,774 --> 00:12:16,360
-It was kind of surprising to
hear that he had left town.

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00:12:16,652 --> 00:12:18,237
♪♪

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-All it takes sometimes is just
that one person to see you.

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00:12:24,827 --> 00:12:27,079
-That which does not kill
you makes you stronger.

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00:12:27,079 --> 00:12:30,666
♪♪

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- I'm gonna play this
for the last time.

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♪♪

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00:12:34,920 --> 00:12:37,882
- The dude's got a
story for everything.

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♪♪

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- I think it was love
at first sight.

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I'd cried.

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00:12:45,055 --> 00:12:49,101
-They don't make people like
that, really, not enough.

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♪♪

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00:12:54,023 --> 00:12:57,777
-Check, hey, one, two, one,
two, one, two, one, two.

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Records are falling over.

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♪♪

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00:13:02,156 --> 00:13:05,201
-”Radio Heart”  will be playing
in film festivals throughout

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00:13:05,201 --> 00:13:06,744
the country all summer long.

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00:13:06,744 --> 00:13:11,040
The complete screening schedule
is at RadioHeartFilm.com.

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00:13:14,293 --> 00:13:18,839
♪♪

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00:13:20,424 --> 00:13:24,345
The Cowboys were an exciting
and prominent Seattle band in

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00:13:24,345 --> 00:13:26,222
the late 1970s and early ‘80s.

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00:13:26,222 --> 00:13:30,059
Although the band broke up in
1985, a few former members

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00:13:30,059 --> 00:13:34,355
decided to reunite last fall for
an unforgettable performance

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00:13:34,355 --> 00:13:37,817
at Tacoma's Spanish Ballroom
and Art Zone was there

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00:13:37,817 --> 00:13:39,235
to capture the magic.

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00:13:44,281 --> 00:14:02,633
(♪♪)

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00:14:02,633 --> 00:14:08,305
(♪) Spend my life 
keeping company with misery (♪)

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00:14:12,768 --> 00:14:18,357
(♪) This ain't exactly 
what I had in mind for me (♪)

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00:14:23,946 --> 00:14:27,491
(♪) I lived my life 
from day to day (♪)

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00:14:27,491 --> 00:14:32,246
(♪) Feel like a brand new stray dog (♪)

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00:14:32,246 --> 00:14:37,835
(♪) And it's a shame
It's a dirty shame (♪)

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00:14:38,419 --> 00:14:43,549
(♪) It's a shame
It's a dirty shame (♪)

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00:14:43,549 --> 00:14:55,144
(♪♪)

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00:14:55,144 --> 00:15:00,774
(♪) Coming in last place 
in the human race (♪)

282
00:15:04,695 --> 00:15:10,910
(♪) I'm feeling 
like a total disgrace (♪)

283
00:15:15,164 --> 00:15:19,460
(♪) I'm in the hole 
without an ace (♪)

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00:15:19,460 --> 00:15:24,590
(♪) This wasted life 
is a hard life to face (♪)

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00:15:24,590 --> 00:15:29,511
(♪) And it's a shame
It's a dirty shame (♪)

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00:15:29,511 --> 00:15:34,975
(♪) It's a shame
It's a dirty shame (♪)

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00:15:34,975 --> 00:15:36,602
(♪) Oh it's a shame (♪)

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00:15:41,148 --> 00:15:42,775
(♪) It's a shame (♪)

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00:15:46,862 --> 00:15:48,489
(♪) It's a shame (♪)

290
00:15:49,531 --> 00:15:51,158
(♪) It's a shame (♪)

291
00:15:51,951 --> 00:15:53,577
(♪) It's a shame (♪)

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00:15:57,498 --> 00:16:41,000
(♪♪)

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00:16:41,000 --> 00:16:46,630
(♪) Coming in last place 
in the human race (♪)

294
00:16:50,551 --> 00:16:56,765
(♪) I'm feeling 
like a total disgrace (♪)

295
00:17:01,395 --> 00:17:05,691
(♪) I'm in the hole 
without an ace (♪)

296
00:17:05,691 --> 00:17:10,821
(♪) This wasted life 
is a hard life to face (♪)

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00:17:10,821 --> 00:17:15,743
(♪) And it's a shame
It's a dirty shame (♪)

298
00:17:15,743 --> 00:17:21,206
(♪) It's a shame
It's a dirty shame (♪)

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00:17:21,206 --> 00:17:24,960
(♪) Well it's a shame 
It's a dirty shame (♪)

300
00:17:26,587 --> 00:17:29,506
(♪) It's a shame
It's a dirty shame (♪)

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00:17:29,506 --> 00:17:32,176
(♪) Come on baby come on baby
come on baby now (♪♪)

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00:17:32,176 --> 00:18:10,214
(♪♪)

303
00:18:10,214 --> 00:18:11,507
(♪♪)

304
00:18:14,593 --> 00:18:16,428
(crowd cheering and applause)

305
00:18:16,428 --> 00:18:17,721
Hey, thanks a lot, guys.

306
00:18:17,721 --> 00:18:18,263
Thank you.

307
00:18:18,263 --> 00:18:19,223
Thank you so much.

308
00:18:20,390 --> 00:18:21,058
Thanks, y'all.

309
00:18:21,058 --> 00:18:21,600
Thanks a lot.

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00:18:22,726 --> 00:18:23,727
Thanks for coming out.

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00:18:24,019 --> 00:18:25,854
(crowd cheering and applause)

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00:18:25,938 --> 00:18:28,857
-Enjoy the Cowboys'
entire concert at

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00:18:28,857 --> 00:18:31,401
seattlechannel.org/artzone.

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00:18:35,322 --> 00:18:38,367
I want to take a moment
to remember Dave Baab,

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00:18:38,367 --> 00:18:41,662
a wonderful artist and a
good friend who passed

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00:18:41,662 --> 00:18:44,748
passed away April 9th, 2026.

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00:18:47,000 --> 00:18:48,293
♪♪

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00:18:49,628 --> 00:18:52,089
Dave was a talented
watercolorist

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00:18:52,089 --> 00:18:54,716
and his beautifully
rendered paintings

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00:18:54,716 --> 00:18:57,845
often focused on familiar
places in Seattle

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00:18:57,845 --> 00:19:00,139
like Green Lake
and the Arboretum.

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00:19:01,890 --> 00:19:04,226
Dave had great
reverence for nature,

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00:19:04,226 --> 00:19:08,272
for people, for animals,
and his paintings clearly

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00:19:08,272 --> 00:19:13,610
reflect this deep appreciation
for life in all of its forms.

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00:19:13,610 --> 00:19:17,823
Dave also had a strong faith,
and after he died, his

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00:19:17,823 --> 00:19:22,411
good friend Kevin Henney
wrote these wonderful words.

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00:19:22,411 --> 00:19:23,662
“The writer C.S.

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00:19:23,662 --> 00:19:26,206
Lewis talks about this amazing

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00:19:26,206 --> 00:19:29,918
thing that happens when
we grow closer to God,

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00:19:29,918 --> 00:19:33,505
that we actually become more
and more our true selves.

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00:19:34,798 --> 00:19:39,428
This miraculous dynamic that the
closer we come to divine love,

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00:19:39,428 --> 00:19:42,639
the more we become what
we were created to be,

333
00:19:42,639 --> 00:19:45,559
the more we discover
our unique selves.”

334
00:19:46,560 --> 00:19:49,980
This paragraph captures
Dave's very essence.

335
00:19:49,980 --> 00:19:54,985
He was his true self and he
knew in his bones who he was.

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00:19:56,069 --> 00:20:00,949
Dave Baab loved by so many
will be missed always.

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00:20:02,743 --> 00:20:07,206
♪♪

338
00:20:10,500 --> 00:20:13,962
And that's a wrap from this
beautiful rooftop deck.

339
00:20:13,962 --> 00:20:16,506
Heartfelt thanks to the
Populous Seattle staff

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00:20:16,506 --> 00:20:19,718
for hosting us and a
reminder that their artwork

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00:20:19,718 --> 00:20:22,763
is accessible to the
public so plan your visit

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00:20:22,763 --> 00:20:26,725
soon. We are going to leave
you now with a garden tour

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00:20:26,725 --> 00:20:30,395
from the multi-talented
Sarah Rudinoff. Sarah

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00:20:30,395 --> 00:20:33,690
is an actor, a singer, a
writer, and it turns out an

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00:20:33,690 --> 00:20:37,486
outstanding gardener and
she has graciously agreed

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00:20:37,486 --> 00:20:40,614
to walk us through
her private oasis.

347
00:20:40,614 --> 00:20:44,409
So enjoy, have a great week,
and we'll see you soon.

348
00:20:44,409 --> 00:20:45,535
Take it away, Sarah.

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00:20:46,578 --> 00:20:50,249
- Good morning,
welcome to the garden.

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00:20:51,458 --> 00:20:55,754
Spring is almost done and
summer's not quite here.

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00:20:55,754 --> 00:20:58,173
It's that transition time.

352
00:20:58,173 --> 00:21:00,509
And I'd love to take
you on a little tour.

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00:21:04,638 --> 00:21:08,392
I've never gardened on
a patio before I moved

354
00:21:08,392 --> 00:21:12,688
into this house and it's
been fun and interesting.

355
00:21:18,318 --> 00:21:24,283
Yellow peonies, the mock orange,
the tulips are almost done.

356
00:21:25,492 --> 00:21:28,078
This beautiful California
Lilac is in bloom.

357
00:21:28,078 --> 00:21:29,955
See these in a lot
of Seattle parks.

358
00:21:31,790 --> 00:21:33,709
And Japanese Maple of course.

359
00:21:33,709 --> 00:21:36,295
This is a very indulgent
plant, the Peony tree.

360
00:21:36,295 --> 00:21:38,130
It blooms for about two weeks.

361
00:21:39,506 --> 00:21:41,258
She's coming up.

362
00:21:41,258 --> 00:21:42,426
But I love when they die.

363
00:21:42,426 --> 00:21:45,137
Look at these kind of
limey, yellowy green.

364
00:21:49,641 --> 00:21:51,018
Irises are out.

365
00:21:56,648 --> 00:21:59,026
No jasmines in bloom
yet, but it will be, and

366
00:21:59,026 --> 00:22:00,402
it'll be smelling great.

367
00:22:02,571 --> 00:22:04,906
The boxleaf azara tree.

368
00:22:04,906 --> 00:22:08,452
It's a narrow garden, so I had
to have trees that were narrow.

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00:22:10,620 --> 00:22:13,665
Oh yes, the limey leaf.

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00:22:21,715 --> 00:22:26,178
And we'll end at the Hostins.

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00:22:26,178 --> 00:22:38,982
♪ ♪